Wednesday, October 24, 2012

Greatest Movies Featuring a Psychotic Killer

Once again, in preparation for Halloween...


The Greatest Psychotic Killer Movies

25. The Slumber Party Massacre (1982)
The psycho: Russ Thorn, a man who escaped from a mental asylum who has the propensity to kill people with power tools.

24. Friday the 13th Part II (1981)
The psycho: Burlap sacked face Jason Voorhees in the film that establishes his badassery.

23. American Psycho (2000)
The psycho: Patrick Bateman (Christian Bale), a self-obsessed yuppie who tortures and butchers women in his spare time.

22. Play Misty for Me (1971)
The psycho: DJ stalker Jessica Walter.

21. The Masque of the Red Death (1964)
The psycho: Prince Prospero (Vincent Price), who publicly tortures and executes numerous individuals.

20. Basic Instinct (1992)
The psycho: Catherine Trammell (Sharon Stone), a sexy, enigmatic novelist who uses both sex and ice picks as weapons. Maybe.

19. Theatre of Blood (1973)
The psycho: A supposedly dead Shakespearean actor, Edward Kendal Sheridan Lionheart (Vincent Price), who kills his critics with ways inspired by the Bard himself.

18. Shutter Island (2010)
The psycho: A number of them. It takes place at a mental hospital for the criminally insane.

17. Batman (1989)
The psycho: The Joker (Jack Nicholson)

16. Scream (1996)
The psycho: Ghostface, a teenage murderer who targets Sidney (Neve Campbell).

15. The Invisible Man (1933)
The psycho: The Invisible Man (Claude Rains), a once-idealistic scientist now driven mad by his discovery.

14. Audition (1999)
I am never talking about this movie to anyone. See it if you want to know why.

13. Star Trek II: The Wrath of Khan (1982)
The psycho: Kirk’s arch-rival, Khan (Ricardo Montalban).

12. Disturbia (2007)
The psycho: The next-door neighbor, women seducer/murderer Mr. Turner (David Morse).

11. The Dark Knight (2008)
The psycho: The Joker (Heath Ledger)

10. In the Line of Fire (1993)
The psycho: A relatively unidentified character (John Malkovich) intent on assassinating the president and murdering anyone in his way.

9. Misery (1990)
The psycho: Annie Wilkes (Kathy Bates), a Paul Sheldon fanatic who just happens to encounter writer Paul Sheldon in a helpless condition.

8. Halloween (1978)
The psycho: Michael Myers, who was locked up in a mental institution since he murdered his sister at a young age.

7. A Clockwork Orange (1971)
The psycho: Alex DeLarge (Malcolm McDowell), a young, ultra-hip fan of the ultraviolence, who eventually gets convicted of murder.

6. Road to Perdition (2002)
The psycho: Harlen Maguire (Jude Law) is a crime photographer who kills people that are almost dead for some reason and wants to chase down Tom Hanks. I don’t really understand it. I love the movie, but he’s my least favorite part of it.

5. The Silence of the Lambs (1991)
The psycho: Well there are two. First, there is Hannibal Lecter (Anthony Hopkins), a psychiatrist or psychologist or something who murdered and ate people. And second, there is Buffalo Bill (Ted Levine), a man who kidnaps and kills women to get himself better looking skin.

4. A Nightmare on Elm Street (1984)
The psycho: Notorious child murderer turned dream-stalker Freddy Krueger (Robert Englund).

3. Dirty Harry (1971)
The psycho: The most underrated villain in film history: Scorpio.

2. Strangers on a Train (1951)
The psycho: Bruno Anthony (Robert Walker), an implied homosexual, unemployed genius who has a wonderfully creative plan for a perfect murder.

1. Psycho (1960)
The psycho: Norman Bates (Anthony Perkins), a disturbed but seemingly good-natured and sympathetic motel owner.

Monday, October 15, 2012

The Great American Novel

Moby-Dick, published in 1851, was a groundbreaking work in American literature. Sure, people like Washington Irving formed it into so much more than an offshoot of British literature, but this was the novel that started it all. It's a bit ironic, too, because Herman Melville never got his due until after his death, though he shaped American literature more than perhaps any other author. We all usually think of Mark Twain and Huck Finn when we think of the seminal work in our country's history just because it's far more acceptable and widely read than Moby-Dick is.

Moby-Dick should be read by every American. It chronicles the history of New England, in particular Nantucket, while providing a great epic narrative adventure and being somewhat of a whaling encyclopedia. It deals in lore and legend, madness, religion, death, science, and various other themes.

Just about everyone is familiar with the opening sentence. Ishmael is our narrator, a young man who travels to Nantucket to be aboard a whaler. Aside from the first couple chapters that describe why he wants to be at sea, we do not learn a great deal about his character; he's just there to tell the story and describe the characters more influential in it.

When in New England he meets Queequeg, a "savage" and "cannibal" who at first frightens Ishmael. Eventually they engage in each other's religious services and become friends, and arguably more. I was kind of surprised while reading this that there appears to be a homosexuality connotation here, shocking for the 19th century. I looked into it and apparently critics and scholars are torn on this, but they all agree that it has little effect on the plot.

Eventually they become whalers on the Pequod, a Quaker-owned ship sent out to kill whales. This is one of the many instances of religious hypocrisy that encompasses the first hundred pages or so of the epic novel. The ship's captain, Ahab, does not appear for a good deal, but when he does, you know he means business. He's the most studied and talked about character of the novel and for good reason; his conflict with the whale that took his leg is the main plot.

After Ahab reveals his true motives, no one is in disfavor of hunting down one whale in an ocean of thousands. Moby-Dick can be recognized, of course, by its extreme whiteness (probably my favorite part of the novel is when Ishmael describes how the whiteness of the whale terrifies him), enormous size, and unusual aggression towards whaling ships.

Once we arrive at this point in the novel, Ishmael becomes increasingly unimportant. Many chapters are told from an omniscient narrator or told like a play, with Ahab giving haunting soliloquies in his cabin or on deck. This is when Ahab's main men become more and more important. Starbuck, Flask, Stubb, and Tashtego all are interesting characters in their own respects, and we learn a good deal about them all.

We learn more about Ahab, too, and we learn that he's more or less mad. The crew recognizes this, but does not try to stop him, sticking with their captain to whatever end. Prophecy is a big part of the novel, and Ahab himself is a huge fatalist. Like Oedipus, he embraces his fate and tries to make the most of his life. Knowing he will die, he wants to make sure to take down his enemy, too.

Eventually the novel culminates in a multiple-day attack on the whale, filled with excitement, suspense, and fulfilled prophecy. It won't disappoint.

Why should every American read this? What makes this so much better than other American novels?

Well, perhaps more than any other novel, it's UNIQUELY American. I don't mean to bash works like Huck Finn or The Grapes of Wrath, but in many ways this novel is a metaphor for America. The peace in a whaling ship at sea that Ishmael desires in which every man is equal, is directly relatable to the American Dream that so many immigrants have had for well over a century. There is diversity--in race, in religion, in character types--and it's all handled so well by Melville.

Moby-Dick is truly a masterpiece.

Greatest Monster Movies


50. Mighty Joe Young (1949)
The monster: A giant, Kong-like gorilla monster thing.
What makes it awesome: It’s essentially the poor man’s King Kong but it’s effective as a fantastical film yet again with a good-hearted giant gorilla becoming the victim. The burning building scene is the highlight.

49. Abbott and Costello Meet Frankenstein (1948)
The monster: Not just Frankenstein’s Monster, but it includes Bela Lugosi as Dracula and Lon Chaney, Jr. as The Wolf Man.
What makes it awesome: Bud Abbott and Lou Costello are one of the great comedic teams of all time and they’re sensational in this with the contrast to the monsters, who play it straight. It’s pretty funny.

48. Gamera vs. Barugon (1966)
The monster: Giant turtle and friend to children, Gamera, and this weird dimetrodon-like thing with a rhinoceros horn, Barugon.
What makes it awesome: This is my favorite Gamera movie because I really enjoy Barugon. It’s a guilty pleasure and certainly not a great movie, but it’s solid if you’re into giant monsters.

47. The Woman in Black (2012)
The monster: A ghost that causes children to kill themselves.
What makes it awesome: Like all great ghost stories, there’s the slow reveal of whether it’s superstition or actual supernatural occurrences. As Hammer’s return to horror, it works really well as a frightening period chiller.

46. Journey to the Center of the Earth (1959)
The monster: Dinosaur things
What makes it awesome: It’s a great adventure film, while slow-moving. The last half-hour or so is great.

45. Shrek 2 (2004)
The monster: Shrek and his wife Fiona, ogres.
What makes it awesome: While certainly not as good as the first, the comedy is still pretty good.

44. Godzilla vs. Megalon (1973)
The monster: The KING OF THE MONSTERS, Godzilla, and an underground, bomb-spitting giant monster named Megalon. Also in the mix are weird alien thing with a buzzsaw on him, Gigan, and a giant robot superhero, Jet Jaguar.
What makes it awesome: The monster battles. Like a lot of the Godzilla films of this particular era, it has many stupid moments, but the monster tag-team fight at the end is the highlight. Jet Jaguar is awesome.

43. Carnival of Souls (1962)
The monster: Zombie/ghostlike things that keep appearing at inconvenient times
What makes it awesome: This low-budget chiller plays like a feature-length Twilight Zone episode, and that’s what I love about it. It’s got a slow, creepy atmosphere the entire time and has an effective twist ending.

42. Creature from the Black Lagoon (1954)
The monster: Gillman, who should need no introduction
What makes it awesome: More or less the final classic Universal monster, this film may not be as great as some of the earlier ones but it’s got the beauty and beast tale going on, as well as a sympathetic monster. Also, it’s pretty violent for an old, black and white movie.

41. Signs (2002)
The monster: Aliens that don’t show each other most of the time
What makes it awesome: While extremely criticized, many fail to realize the effectiveness of this movie’s suspense. The ending kind of sucks, but let’s not forget how well-directed this is and the well-developed characters.

40. House on Haunted Hill (1959)
The monster: Ghosts and skeletons. Or are they?
What makes it awesome: Aside from having a great twist ending, this is a great ghost story and maybe the signature haunted house movie. It’s a stock tale of a bunch of people staying in a haunted house, but it has plenty of suspenseful moments and a few shocks. Plus it has Vincent Price.

39. The Evil Dead (1981)
The monster: Evil-possessed people turned into horrible, indescribable things.
What makes it awesome: While not having the sense of humor of the sequels so much, this is actually a really scary movie. The low-budget style works really well, the stop-motion effects are great, and the story of the Book of the Dead is genuinely creepy.

38. Nosferatu (1922)
The monster: A vampire, Nosferatu, while never explicitly called Dracula, is clearly Dracula.
What makes it awesome: This is the first vampire movie, and while silent, is extremely memorable. The look of Nosferatu is great, and the slow, chilling atmosphere makes for a great film.

37. Monsters, Inc. (2001)
The monster: An entire city of creative monsters
What makes it awesome: I view this as the most underrated of the Pixar movies. It’s terrifically funny and actually heartwarming at time, and with great characters.

36. War of the Worlds (2005)
The monster: A bunch of aliens who use giant tripods to attack the earth.
What makes it awesome: The spectacle of it all. I don’t like this movie necessarily for the aliens—although the scenes in Tim Robbins’ basement are pretty suspenseful—the early scenes of the bridges collapsing and all that stuff look amazing.

35. Gremlins (1984)
The monster: A bunch of self-multiplying little gremlins.
What makes it awesome: This is a really fun movie. It’s got humor, fun effects, good characters, a few scares, and a nice Christmas feel actually. What makes this movie great, though, is the gremlins; they have personality.

34. The Thing (1982)
The monster: An alien that can take the shape of any person it comes in contact with.
What makes it awesome: Like Alien, the film’s effectiveness lies in the helplessness of the setting and the fact that they don’t know where the alien is. Plus the effects are a spectacular show-stealer, still some of the best ever.

33. Dawn of the Dead (1978)
The monster: A lot of zombies.
What makes it awesome: The gore effects are wonderful, yes, and it has surprisingly good characters. But this is just such a fun movie to watch, from its characters playing around in the mall to its darkly humorous violence.

32. The Invisible Man (1933)
The monster: A scientist who makes himself invisible and goes crazy.
What makes it awesome: The film’s dark sense of humor as well as the suspense it builds in the beginning.

31. Zombieland (2009)
The monster: Zombies
What makes it awesome: Also the film’s sense of humor, and its characters. As much as I hate Emma Stone and as much as I get annoyed by Jesse Eisenberg, they both work really well here. Whether you view it as a horror film with some laughs or a comedy film with some scares, it works well.

30. Edward Scissorhands (1990)
The monster: A man-created creature with blades for hands.
What makes it awesome: Its atmosphere and visuals. While it’s true that it’s quality storytelling as an update to the Frankenstein legend, what truly make the film are the gothic and fairytale visuals. Maybe Tim Burton’s best movie and Johnny Depp’s first of many great roles and performances.

29. Dracula (1931)
The monster: The greatest vampire of them all
What makes it awesome: This movie is so classic. Bela Lugosi is haunting and iconic as Count Dracula. I also love Dwight Frye as Renfield. Overall it’s just a great story of good vs. evil.

28. Invasion of the Astro Monster (1965)
The monster: Godzilla, Rodan, and Ghidorah, the greatest of ‘Zilla’s enemies.
What makes it awesome: One of the cheesiest of the Godzilla films, it’s also one of the most entertaining, with an interesting sci-fi plot and some good monster action.

27. The War of the Worlds (1953)
The monster: Martians in spaceships
What makes it awesome: The vivid colors make the destruction look great, and the faith element makes this deeper than the average alien invasion film.

26. The Terror of Mechagodzilla (1975)
The monster: Godzilla and his robotic rival, Mechagodzilla.
What makes it awesome: There’s more destruction than the usual Godzilla movie, and the fight between Godzilla and Mechagodzilla is one of the bets in the series. Godzilla’s robotic counterpart makes for one of the most interesting and exciting villains.

25. Super 8 (2011)
The monster: A giant alien thing that isn’t shown very often
What makes it awesome: There are some moments of good action, but this is an engaging film without all that, with good characters and some emotional depth.

24. Rubber (2010)
The monster: A killer…tire.
What makes it awesome: It’s such an absurdist movie, I can’t really describe it to give it justice. I could easily see someone hating it, but it’s one of the strangest and most original films you’ll ever see, and one of the funniest if you can appreciate what it’s trying to do.

23. Men in Black (1997)
The monster: A bunch of aliens, including a giant cockroach in an Edgar suit.
What makes it awesome: The concept itself is great, and it’s backed up by great chemistry between Will Smith and Tommy Lee Jones and a good sense of humor.

22. The Wolf Man (1941)
The monster: Lon Chaney, Jr. as Larry Talbot, a man who turns into a werewolf.
What makes it awesome: As opposed to other monster movies, this has more of a human factor. Chaney is great as an innocent man struggling with a terrible realization, and the drama really draws you in. It’s also aged much better than the Universal monster movies of the ‘30s.

21. Ghidorah, the Three-Headed Monster (1964)
The monster: Godzilla, three-headed dragon Ghidorah, and giant moth/larva Mothra.
What makes it awesome: The introduction of the greatest villain in the Godzilla series. Ghidorah is so badass and the fights are great.

20. The Mummy (1999)
The monster: A mummy regenerating itself every time it kills a person, kind of like in Hellraiser.
What makes it awesome: It’s basically Indiana Jones with a monster; it’s a great action/adventure film.

19. Shrek (2001)
The monster: A Scottish-accented ogre. Also a dragon.
What makes it awesome: The characters, really. One of the funnier animated films of all time, it also makes you care for the characters a lot.

18. The Omen (1976)
The monster: The son of Satan, and Satan’s powers themselves.
What makes it awesome: Good vs. Evil at its best. It doesn’t hurt that Gregory Peck is in this, either, as a man who reluctantly finds out he has to kill his own son. This is such a creepy film, filled with some scary moments and it’s one of the first horror films to feature elaborate deaths, which are fun to watch.

17. Poltergeist (1982)
The monster: Ghosts that are pissed off at a family for building their house on an Indian burial ground.
What makes it awesome: I’ll just say what others have been saying for decades: the scariest PG movie you’ll ever see.

16. The Thing from Another World (1951)
The monster: James Arness as a strong alien.
What makes it awesome: Like it’s 1982 remake, it there’s a sense of claustrophobia as the characters are stuck in the Arctic with one hiding killer alien.

15. The Nightmare Before Christmas (1993)
The monster: An entire town of them, Halloweenland.
What makes it awesome: The stop-motion animation and the visuals are great, but I also love the music.

14. The Fly (1986)
The monster: A man slowly turning into a fly.
What makes it awesome: Despite displaying some of the most amazing special effects you’ll ever see and having some great scares at the end, what makes this movie so great is the performances from Jeff Goldblum and Geena Davis. It’s actually a good love story and a fantastic tragedy.

13. Night of the Living Dead (1968)
The monster: Zombies. Lots of them.
What makes it awesome: The film starts out with a zombie attack in a cemetery in one of the greatest opening scenes in history, and from then on, it’s an engaging tale of survival, with stubborn characters refusing to work together. On top of that, it might be the scariest and most balls-to-the-wall black and white movie you’ll ever see.

12. Frankenstein (1931)
The monster: Frankenstein’s Monster.
What makes it awesome: This gothic film, while straying far from the classic film, is great in itself. Karloff makes for one of the greatest monsters ever and just about every scene is memorable. It’s aged a great deal but it’s still worth a watch.

11. Ghostbusters (1984)
The monster: Lots of ghosts all over New York City.
What makes it awesome: Mostly the main characters. Bill Murray is as likable, sarcastic, and witty as ever and he’s complimented well by Dan Aykroyd and Harold Ramis.

10. Mothra vs. Godzilla (1964)
The monster: Godzilla and Mothra, a giant magic moth thing.
What makes it awesome: It’s maybe both the strangest and most compelling plot in the entire series, and it really draws you in. It’s one of the earlier Godzilla films, so he’s still the villain, and there’s also a corrupt businessman villain who’s quite good. Also, the fight is outstanding.

9. Invasion of the Body Snatchers (1956)
The monster: Aliens birthed from pods that make duplicates of people’s bodies.
What makes it awesome: I love how this movie starts out, slowly, yet ominously. The plot is both interesting and truly terrifying, and the chase towards the end is great.

8. King Kong (1933)
The monster: A giant gorilla on Skull Island.
What makes it awesome: It’s a timeless tale of beauty and beast, but also has some amazing stop-motion effects. There are also some of the most iconic moments in the history of cinema, like the Empire State Building scene and Kong fighting the t-rex.

7. Godzilla (1954)
The monster: A giant dinosaur lizard, birthed by atomic power, GODZILLA.
What makes it awesome: This is the original Japanese version, and it’s a great film. It’s really serious and the destruction looks great and tragic in black and white. There’s a sense of hopelessness throughout the entire film.

6. Young Frankenstein (1974)
The monster: Frankenstein’s Monster, played by Peter Boyle.
What makes it awesome: One of the funniest movies you’ll ever see and easily the best horror parody. My personal favorite is Marty Feldman as Igor.

5. A Nightmare on Elm Street (1984)
The monster: Freddy Krueger, a dead child killer who haunts teenagers in their dreams and kills them.
What makes it awesome: The plot. The idea behind it that if you get murdered in your dream, you get killed in real life is absolutely terrifying.

4. Aliens (1986)
The monster: Multiple aliens in their home, attacking space Marines.
What makes it great: There’s the character of Ripley, played by Sigourney Weaver, who makes for a great protagonist with some depth to her. But I just love the action in this movie.

3. The Exorcist (1973)
The monster: A devil-possessed little girl.
What makes it great: It’s been called by many the scariest film of all time, and it very well might be. The concept is terrifying, engaging, and believable, and this is made better than the average horror movie. Ellen Burstyn, Linda Blair, Jason Miller, William Friedkin, and William Peter Blatty were all up for the Oscars for their work in front of or behind the camera. And on top of all this, it’s an engaging film about faith and it’s surprisingly powerful.

2. The Sixth Sense (1999)
The monster: Ghosts. Well they’re never called ghosts, so just dead people.
What makes it great: Like The Exorcist although perhaps not as much, this is a powerful horror film, overstepping its genre conventions and becoming an engaging drama. I love the screenplay especially, and the acting is quite great. And of course, there’s the ending.

1. Jaws (1975)
The monster: A giant great-white shark.
What makes it great: I shouldn’t even have to say what makes this great. If you haven’t seen it, see it now. It’s one of the greatest films of all time.