Tuesday, January 31, 2012

This year's Super Bowl

Super Bowl XLVI – Giants vs. Patriots
            The rematch. New England wants nothing more than to avenge their loss against the Giants from a few years ago, and Eli Manning wants nothing more than to prove that he’s the real deal and maybe the best Manning out there. This is an interesting matchup if you compare it to the last time these teams met in the Super Bowl.           
            The Patriots were a great team this year, securing the number one seed in the AFC. That having been said, they weren’t nearly the team they were when they went 16-0.  Randy Moss is gone, albeit replaced by Ochocinco. But the scoring records weren’t shattered this year, and their defense is far worse.
            As for the Giants, they are also a very different team, though their season has gone similarly. Again, they barely made the playoffs, but this time they were led by a Prow Bowl quarterback who has been nothing shy of outstanding in the playoffs. Eli was criticized before the season for saying he was an elite quarterback when he was asked, but let’s be honest: he’s proved it, and a second Super Bowl would pretty much assuredly put him in the Hall of Fame. While Burress is gone, New York has a more balanced passing attack with a great core of young playmaking receivers, including Hakeem Nicks, who pretty much topped Burress’s performance against the Packers…against the Packers in the playoffs. The defense is more of the same, led by a great defensive line, and cornerbacks who have played great in the playoffs. (That’s why the Packers had 9 drops, guys).
            My prediction: It’s a tough one, guys. The Patriots have been the better team all year but it’s really tough to bet against the Giants after how they’ve played in the playoffs, including two road wins at Green Bay and San Francisco. Eli Manning is virtually twice the quarterback he was when he won his Super Bowl, so that, combined with the Patriots’ weak defense, leads me to predict that the Giants will win, but I am far from sure.
            I will of course be cheering for New York, and this has little to do with the fact that I hate the Patriots. I like the Giants. They’re my second favorite team behind only the Packers. Plus I’d love to see them win so I can go to the parade the next day. I regret that I couldn’t go to the parade in Green Bay last year.
            If I had to predict a score, I’d say the Giants win, 24-20.

Monday, January 30, 2012

The Super Bowl - A Retrospective

            I don’t know what it is but I have had the wonderful opportunity to be born at the right time and see some of the most amazing Super Bowls ever played, all in my 19 years on this earth. Or is it 20?
            The first Super Bowl I remember watching was the Patriots-Rams one and it was brilliant, of course. I guess I remember like a play or two from the Ravens-Giants one but let’s stick to the good ones. It was a huge upset and I was rooting for the Patriots for the last time in my life. The Rams were a great team and the Patriots were a team that probably shouldn’t have been there (Tuck Rule) with a quarterback no one had ever heard of. Needless to say, that game started a dynasty that I, like many others, grew to hate.
            I’ve seen some wonderful Super Bowl moments. From being a Packers fan and watching last year’s game while I was losing gallons of blood from cutting open my head after the Nick Collins touchdown, to Adam Vinatieri’s game-winning kicks, to Eli Manning superhumanly breaking tackles and Tyree making the most amazing catch I’ve ever seen. All of these overshadow the lousy and boring Super Bowls I’ve seen. And in fact, those lousy and boring ones weren’t all that unexciting. I am going to talk about every Super Bowl that I’ve had the privilege of seeing and give it a rating out of 10 as far as how good the game was.

Super Bowl XXXVI – Rams 17 vs. Patriots 20
As aforementioned, this was a huge upset. The Rams were the “Greatest Show on Turf” and Marshall Faulk and Kurt Warner accounted for 3 MVPs between the two of them. The Rams also had Isaac Bruce and Torry Holt, two of the best receivers of their time. But the Patriots had Adam Vinatieri, let’s not forget, though somehow Tom Brady won the SB MVP. I often forget that the Patriots had the lead basically the entire game. The Rams had to score 2 touchdowns in the fourth quarter to come back and tie it. Somehow none of that mattered because it was still a great game.
9/10

Super Bowl XXXVII – Buccaneers 48 vs. Raiders 21
            This wasn’t a close game at all but it was an exciting game to watch nonetheless. It was a match between the league’s best defense (Tampa Bay) and the league’s best offense (Oakland); it was exactly what you wanted to see. Plus it was John Gruden against his former team.
            The Raiders won by 27 but a few of their scores were garbage defensive touchdowns and stuff, and for a bit it looked like the Raiders had a chance to come back. I remember seeing them go for two and fail miserably, basically ending their chances. This was a fun game to watch, though it was one of the bigger blowouts in Super Bowl history. Plus it was nice to see Jerry Rice, no matter how past his prime he was, playing for the Raiders.
            4/10

Super Bowl XXXVIII – Patriots 32 vs. Panthers 29
            This is the hardest Super Bowl numeral to write but it turned out to be one hell of a game. I didn’t hate the Patriots at this time, but I was cheering for the Panthers in this one because they had come out of obscurity and Stephen Davis had an absolutely amazing season.
            While it was a reasonably high-scoring game, 32-29, all the scoring took place in the 2nd and 4th quarters. Again it was won on a Vinatieri field goal but this was more of Tom Brady’s game than the previous Patriots Super Bowl, earning his MVP honors.
            9/10

Super Bowl XXXIX – Patriots 24 vs. Eagles 21
            Back when Terrell Owens played for the Eagles and he was injured. This was the one time I ever had respect for him when he played through his injury to my surprise and one very big play that almost certainly would have been a touchdown had it not been for his injury. This was, however, Deion Branch’s game, catching for over 130 yards from Tom Brady.
            While I’ve never been a Donovan McNabb fan, I think it’s safe to say his receivers let him down big time in this game. There were so many drops including on their final drive. I’m sure Eagles fans must have been very frustrated.
            8/10

Super Bowl XL – Steelers 21 vs. Seahawks 10
            Never have I been so angered by a Super Bowl. Literally every single break went Pittsburgh’s way and I’m not certain they were a better team. I remember Roethlisberger trying to sneak it into the endzone on fourth down. It was one of those calls that could have gone either way, but after review it went to Pittsburgh. I didn’t necessarily disagree with the call but had it gone to Seattle, it could have been a whole different game.
            I liked Seattle a lot this year. Shaun Alexander was awesome and Matt Hasselbeck just seemed like a great guy. The refs must not have thought so, because they called him for an illegal block when he made a tackle on an interception, the single worst call I’ve ever seen in a game of this stature.
            This was a sloppy game to watch. Lots of drops by Seattle receivers and lots of turnovers. Being a classic rock fan, the highlight was the Rolling Stones halftime show. Yeah, I said it.
            4/10

Super Bowl XLI – Colts 29 vs. Bears 17
            This wasn’t that close of a game but let’s face it: the Bears returned the opening kickoff for a touchdown. It seemed over from the start, but in reality the Colts were just that much of a better team. It’s interesting to note that this same year, Ohio State’s Ted Ginn returned the National Championship’s opening kickoff for a touchdown, despite getting killed by Florida.
            Peyton Manning had been criticized his entire career for being unable to win the big game and he proved a good deal of his critics wrong by playing pretty well. However, what was surprisingly effective about the Colts’ offense was their one-two punch of Rhodes and Addai at running back. Despite a Rhodes fumble, they were basically flawless.
            The Bears were lucky to get there. Really they weren’t a great team. Rex Grossmann was a bad quarterback who somehow had a pretty good year, particularly the first half of the year. Honestly I’ve never seen a quarterback fumble so many snaps; he was just a turnover machine. For the most part it was a pretty boring game, but it was worth it to see the opening kickoff.
            6/10

Super Bowl XLII – Giants 17 vs. Patriots 14
            For my money, this may not have only been the greatest Super Bowl ever played, but the greatest football game. Maybe not, but considering how big of an upset it was, I’d say it would have to be. The Patriots were undefeated, shattering records all over the place with Tom Brady and Randy Moss. The Giants were lucky to be in the playoffs, and certainly lucky to make it to the Super Bowl. They beat my hometown Packers in a wonderful overtime game in freezing cold Green Bay basically because of Plaxico Burress and Plaxico Burress alone. And their defensive line, I guess.
            Nobody believes me now, but I did predict the Giants to win this game. They barely lost to New England in week 17, and whether Belichick admits it or not, the Patriots were going all out to go undefeated in that game. The Giants’ defensive line was basically the first trouble Tom Brady had to face all year, as he was accustomed to leaving every game with a clean jersey.
            I mentioned Manning’s miracle throw and Tyree’s miracle catch, but really the Giants D-line is what won this game. Osi Umenyiora, Justin Tuck, and the veteran Michael Strahan in his final game gave Tom Brady hell in the backfield all game. I think the Giants are going to have to do the same exact thing if they are to win this year.
            10/10

Super Bowl XLIII – Steelers 27 vs. Cardinals 23
            Had the Cardinals won the Super Bowl that year, they may have been the worst team ever to win one. Don’t get me wrong; any team with Kurt Warner, Larry Fitzgerald, and Anquan Boldin is going to be good, but they barely made the playoffs and it was an uphill battle all season long. The Steelers were already established champions, whether or not Cowher was coach.
            This game pissed me off nearly as much as the previous Steelers Super Bowl did. Again, every break went Pittsburgh’s way. The one that stuck out to me was of course the James Harrison 100-yard interception touchdown. I will go to my grave saying he was down a foot shy of the endzone and though it was challenged, it was still ruled a touchdown. John Madden said something during the broadcast kind of jokingly about how “he made it that far; they should just give it to him” in reference to his enormous size as a defensive lineman. However, I think this is the reason why they gave him the touchdown, really. This was the last play of the second quarter and there was no reason to believe that it would be as close a game as it turned out to be. This is the biggest reason why I hate instant replay, by the way.
            The Cardinals made a great comeback, led by veteran Kurt Warner and seemingly untackleable Larry Fitzgerald. It was great fun to watch and the fourth quarter was everything anyone could have hoped for. Except for the outcome.
            9/10

Super Bowl XLIV – Saints 31 vs. Colts 17
            This game was misadvertised as a great opportunity for the city of New Orleans a few years after Katrina. This always bothered me because none of the actual players were really affected by this (for instance, Brees was with San Diego) and it got virtually the entire nation backing New Orleans. Being a Peyton Manning and a Yankees fan, I was bothered by this and couldn’t help but remember how people still hated on the Yankees back in ’01 following September 11.
            The Saints and the Colts all season were at the top of the league. However, the Saints were a couple Adrian Peterson fumbles and Brett Favre interceptions away from not making it to the Super Bowl. Once they were there, though, it was clear that they were evenly-matched with Indianapolis.
            This was a victory for Sean Payton, whose decision to lead off the second half with an onside kick was one of the most gutsy and ultimately rewarding coaching decisions I’ve witnessed. Drew Brees played well and Peyton Manning played well also, save for his interception which went for a touchdown, being the difference of the game. I think the receiver was just as much to blame as Manning for making a telegraphed cut but whatever.
            8/10

Super Bowl XLV – Packers 31 vs. Steelers 25
            Next to the Giants’ win, this was the Super Bowl I was most emotionally invested in and I wasn’t disappointed. I was emotionally involved because I was a Packers fan and because I despised the  Steelers.
            The game was a good one but not one of the better ones in my memory. The highlight was Nick Collins’ interception return for a touchdown, after which I did a celebratory touchdown summersault, cutting open my head and eventually winding up with thirteen stitches or something. But of course, I waited out the rest of the game.
            Aaron Rodgers cemented his status as one of the elite quarterbacks in the league, which he took well into this season with a 15-1 record and a likely MVP award. Honestly I don’t remember a whole lot about the game; I just remember Christina Aguilera screwing up the National Anthem. And I’m just saying it: the Packers had the most anemic rushing attack to ever win the Super Bowl.
            7/10

Oscar Nominations Complaints and Analysis

If you're paying attention, I'm sure you've heard all of these. There have naturally been some snubs this year with the Oscar nominations. Actually some people I thought had very good chances of WINNING turned out to not be nominated. So I was a bit disappointed.

A big complaint this year has been no Harry Potter for Best Picture. This didn't piss me off or anything, as I thought it was a good but not great movie, but I was surprised that it wasn't nominated. It seemed a near certainty, if for no other reason than because it was a conclusion to a series that gets more and more critical acclaim every film that comes out. For instance, The Lord of the Rings: The Return of the King won Best Picture and while I'm not saying that wasn't deserved, I still argue that Fellowship is the best of that series, but I think the popularity of that series built to a point in which Return of the King virtually had to win Best Picture...and basically every other Academy Award that year.

So now I got that out of the way. As far as the other Best Picture nominees go, Extremely Loud & Incredibly Close has no business being up there. It's a classic case of just being an emotional film on an emotional subject, designed to do nothing more than pull at your heartstrings. I'm not saying it's a bad film, but if you look at what critics have had to say about it, it certainly isn't a good film. It reminds me a little bit of The Blind Side back in '09, which seemed to just be up for Best Picture for sentimental reasons.

As I have mentioned numerous times before, this was a year in which the best movies never really saw wide releases. That having been said, I'm not surprised The Help didn't get a nomination. It probably isn't deserving of it, but it's one of the few movies that people actually saw. Again, that's why I'm surprised Harry Potter and Drive didn't get nominated, Drive in particular.



This year of course contained the annual Meryl Streep Oscar nomination, this time playing former British Prime Minister Margaret Thatcher. From what I've heard, this was an outstanding performance.

Moneyball. Moneyball was a good film but not a great film by any means. As far as baseball movies go, it is nothing compared to Bull Durham or Field of Dreams. It was well acted and all, and overall quite well-made but I don't know why it got so much Oscar buzz. I'm not surprised it was up for so many Academy Awards because people have been talking about it for a long time, but when I finally saw it I was a bit disappointed. While telling a story of baseball from a financial sidepoint was a unique view, it wasn't really a story worth telling. And being a baseball fan, I couldn't help but think that this was a baseball movie for people who didn't really like baseball (Why do you think they cast Brad Pitt, every woman's favorite man ever?). For instance, a good deal of the film focuses on a 20-game win-streak when I as a baseball fan know well that regular season win-streaks mean very little. Pitt was good but it was an easy role to play and I would have much preferred to see a nomination go to Fassbender in Shame or Gosling in Drive or DiCaprio in J Edgar. Now THAT was a hard role to play. This year was the most crowded year for Best Actor since 2004, I think. I never even heard of A Better Life or Demian Bichir, but judging by his competition (and more importantly, the competition that didn't get nominated) I'm sure he's quite deserving. And on one final note, I despise Jonah Hill but I hope Moneyball marks a change in his career to playing more mature roles. Then I wouldn't hate him.

We all know Albert Brooks was ripped off for not being nominated in the Supporting Actor category for Drive, the most snubbed film of the year with all due respect to Harry Potter. I loved Kenneth Branagh as Olivier in My Week with Marilyn and Hill was quite good as aforementioned, but let's face it: we've been waiting life fifty years for Christopher Plummer to win an Academy Award, so I kind of hope he wins the Best Supporting Actor this year.

This year was also incredibly crowded in the Best Actress category. People have been talking about Viola Davis and Streep for a while, and Rooney Mara certainly got a good deal of attention in The Girl with the Dragon Tattoo. And I think Kirsten Dunst was snubbed for her performance in Melancholia, a very underplayed film that was brilliantly made, and she was just astounding in it. However, Glenn Close came out of nowhere and got a nomination. I didn't even know she was in a movie this year. All that having been said, I would be rather surprised if Michelle Williams doesn't win it for My Week with Marilyn. Why? Well the Academy loves those kind of roles: playing conflicted historical people. And after seeing the film, by no means would it be undeserving. It was incredible seeing her in what I consider to be the best performance of the year. Being a Marilyn Monroe fan, I was a bit skeptical (mostly because in real life she doesn't look a thing like her) but she had every expression down completely, and her voice was perfect, even when she sang. If you haven't seen that movie, see it for the performance alone (though I thought it was a pretty darn good movie anyways).


Many have argued that Andy Serkis deserves an Academy Award nomination for his performance as the chimpanzee Caesar in Rise of the Planet of the Apes. If he was eligible, I'd say sure, but I don't think he could have possibly been nominated, since he's done completely CGI. He was great, don't get me wrong, but I found this film to be a little overrated. And on top of that, it was my second favorite Andy Serkis bites off someone's thumb performance, and maybe even my second favorite Andy Serkis as an ape performance, though probably not the latter.

The Adventures of Tintin was horribly ripped off by not getting an Oscar nod for Best Animated Feature. You can't possibly tell me Kung Fu Panda 2 was better than this refreshing film. I don't think I'm exaggerating when I'm saying it was the best action movie of the year, though admittedly I did not see Mission Impossible.

For my final complaint, let's head to the Best Original Screenplay category. This is the opportunity for the little films to shine, usually an creatively original serious comedy will get a nomination or a win here, like Lost in Translation or Eternal Sunshine of the Spotless Mind. This isn't a category for gross-out comedies like Bridesmaids. Now Bridesmaids has more to it than just a gross-out comedy; in that regard it was like Superbad: a funny and vulgar movie that had some heart to it. But was the screenplay really that great? No. And yes, folks, though it's a woman's movie, I did actually see it, so I kind of know what I'm talking about. I've been pointed to 50/50 as being an outstanding script and I've been told it was ripped off. There ya go, folks.

Tuesday, January 17, 2012

LMFAO is the worst thing since the Holocaust

I don't think this is too much of a hyperbole. There are few things I hate on earth more than LMFAO: among them, terrorists, the Boston Red Sox, and kids. Why do I hate them so much, you ask? Well I'll do my best to explain.

Now like most people who despise LMFAO I've only heard their two ridiculously popular (and annoying as hell) songs: Party Rock Anthem and Sexy and I Know It. I hate both of them with a burning passion. LMFAO is a duo consisting of Redfoo and SkyBlu or whatever, that play electro hop music--a genre already obnoxious and annoying, sinking to new lows with LMFAO now on the scene. They have the audacity to call their music "party rock" and while their music certainly is for parties, it in no ways resembles rock. Rock actually takes a certain degree of talent to make, consisting of drumming, vocals, guitar, bass, and maybe a keyboard (usually), not just random beats that give you headaches.

Their music is basically exclusively about drinking and partying and certainly lacking artistic value, not to mention talent.

Okay, so here's "Party Rock Anthem", the second best-selling song of 2011. The song is built around a phrase: "Everyday I'm shuffling". I don't get it. They center a song on a phrase that wasn't even popular enough to be successful on a Rick Ross song but they liked it, so they bought the rights or whatever. Anyways there's annoying rapping about partying and how they "party rock", whatever the hell that means. And there's something about rising to the top, no led in someone's zeppelin. Again, I don't get it.

In the hook of the song, there's this really weird beat that almost sounds dubsteppy. Difficult to explain because that genre of music is so impossible to explain except for one word: STUPID.

Then comes the single "Sexy and I Know It" and it might even be worse. The music video is incredibly disturbing, featuring one of the LMFAO guys going around in a really small speedo and shaking his junk around. Yes, I'm a heterosexual male, but I quite frankly think this would be enough to frighten anyone. The lyrics are about how the cocky rapper is sexy, and tans his cheeks on a beach (followed by an obnoxious "wuhhhhhh"). What bothers me most about this song is the "Girl, look at that body" part because in the background there's this incredibly creepy deep breath heard and it comes up every time. I can't really put words to it but let me just say that that's come up in my nightmares on multiple occasions.

What bothers me most about LMFAO is that they're so damn commercial. They're rappers but I cannot call their music rap. It's disjointed commercial diarrhea certain to piss off anyone who likes actual music. The fact that they've had two number one hits (a feat Led Zeppelin, Pink Floyd, Bruce Springsteen, and Creedence Clearwater Revival never achieved) just disgusts me and it goes to show you what bullshit the music industry is now. The songs are nearly certain to be stuck in your head, but catchiness by no means signifies greatness. For example, I don't think anyone will ever confuse the $5 Footlong song with "A Day in the Life".

Saturday, January 14, 2012

50 Worst Movies with Revies (5-1)

5. Plan 9 From Outer Space (1956)
Plan 9 from Outer Space is Ed Wood’s masterpiece of bad film. It’s filled with extremely obvious bloopers, some of the worst acting ever recorded, awkward dialogue, and a nonsensical plot.
Just about everything in this movie is memorable, but I’ll do my best to describe it in terms of plot and the structure the film follows.
The film opens (after random Criswell narration, of course) with a woman rising from the grave and killing two people shortly after her funeral. Bela Lugosi was married to the deceased and he goes walking around and I guess he’s supposed to be hit by a car but you never see it. Anyways he’s dead now.
Some policemen investigate things at the cemetery, including Tor Johnson, whose words are horribly slurred to a point in which you can’t understand him. Tor is confronted by two zombies—the male of which is played by someone who clearly isn’t Bela Lugosi—and they’re on his right and left so naturally he can’t escape. He’s killed.
Then there’s this man and woman sitting out on their porch. The man talks about how he saw UFOs and the government swore him to secrecy. He says they looked like “big cigars” though if you’ll notice they’re just your average low-budget flying saucers with absolutely no resemblance to cigars. You see them frequently in the film and you see the strings they’re held on almost as much. They fly around sets leaving shadows on the background and occasionally shaking uncontrollably.
A UFO lands, the Army attacks it, it goes away. Yada yada yada.
In connection to the famed bloopers, there’s the painfully obvious night to day changes between shots, which also point out the clear difference between Bela Lugosi and his double, hiding his face hoping that you won’t notice. There’s the airplane set which is no more than like a cardboard wall with a shower curtain. But I especially love the graveyard cet. Headstones shake when people run by and in one instance, it completely falls over, revealing its wooden base.
I recommend this movie to literally anyone. It will not disappoint.

4. Jaws: The Revenge (1987)
When I first began this list, I thought it couldn’t get any worse than Jaws: The Revenge. It’s yet another Jaws film, this time with the absolutely ridiculous plot of the shark actually trying to kill every member of the Brody family for how they’ve wronged its ancestors in the past.
The opening credits continue the tradition of having the shark swimming and the camera in its point of view. But strangely it goes both above and below water. I don’t get it.
Then it bites of Sean Brody’s arm as he tries to free up a buoy or something. He doesn’t realize he’s missing an arm and then, in a fit of awful acting, begins to scream when he sees the blood and ripped sleeve. To save our ears, the shark kills him.
Lorraine Gary is back as Ellen Brody, now a widow, who argues with her only living son, Michael, about what they should do. She reveals that though Roy Scheider died from a heart attack, it was the fear of the shark that killed him. Why? He killed two sharks himself. She comes to the conclusion that this particular shark is after the family. Apparently the sharks are Sicilian.
She moves with Michael’s family to the Bahamas. I know what you’re thinking. MOVE TO FUCKING KANSAS OR SOMETHING!!!! AWAY FROM THE FUCKING WATER!!!! But oh, the fact that great whites don’t go to the Bahamas is reassuring enough.
An awkward romance develops between Lorraine Brady and Michael Caine of all people, whom I heard missed his acceptance of an Academy Award he won because he was filming this movie. That’s just sad; you never like to see that kind of thing happen. The extent of their romance is this really strange dancing scene on a beach with a bunch of native people that goes on for way too long.
Oh and I almost forgot to mention. When their plane leaves from New England to the Bahamas, there are shots of the shark trying to follow the plane. I am not kidding.
The shark attacks a banana boat trying to get at Michael’s five-year-old daughter and misses horribly, eating an innocent bystander. As you can imagine, the effects are laughable. As someone once put it, “the singing sharks from The Muppet Show were more convincing.”
So it all comes down to one final confrontation. Michael Brody and his Jamaican assistant on their ship versus the shark. They try to bait it and the Jamaican dude is horrendously and brutally decapitated when the shark leaps fifteen feet into the air and brings him down. Michael Caine and Ellen arrive in a plane that lands in water, then the shark proceeds to eat the plane as they swim to the ship. When Michael Caine gets on the ship his shirt is completely dry. So they gear up to take on the shark with…sound? Well they flash this light and it makes a noise and the shark comes out of the water and roars in what I guess is pain, sounding kind of like an African lion.
Eventually things get more intense and then Ellen sees black-and-white flashbacks of the first Jaws movie—how can she see this if she wasn’t there again?—and in the most mind-blowing ending to a film, the shark virtually just explodes for no reason. When I first saw this movie back when I was like ten or whatever, I rewound the DVD numerous times to try and tell what the hell happened. I STILL DON’T KNOW. There’s a brief shot of what looks like wood about to go into the shark which I assume is from the front of the ship but that wouldn’t kill it and it CERTAINLY wouldn’t cause it to explode.
As I said, there was a time in my life when I thought this was the worst film ever made. I didn’t think it could get any worse. I mean how could it?

3. Stan Helsing (2009)
Of all the spoof movies that I’ve seen, it is safe to say that Stan Helsing is the worst. I watched it out of mere curiosity, knowing it would be bad but wondering just how awful it could be. I couldn’t believe the results.
The film begins with our unlikable titular protagonist who works at a video store. He has to go clean up an infestation problem in the bathroom which is of course just a person in a bug costume, following a terrible gross-out gag with a woman taking a shit. It sets the tone for a tasteless film.
So Stan, his ex-girlfriend, Kenan Thompson, and some other girl have to go do something on Halloween night.
What ensues is Stan looking over while stuck in traffic to a car which contains a little kid and a Chucky doll. The Chucky doll then begins to mime a blowjob with the kid. Now I’m not against gross-out jokes completely. Some of them are funny enough to make you not want to pull your eyebrows out, but when it’s as tasteless as a doll/midget/baby pretending to blow a little kid, that just crosses the line. I should have stopped watching right there, and I definitely considered. But Satan must have told me to keep watching.
Okay, so all the big slasher villains are in this movie. Except they’re not. There’s Freddy Krueger, known in the credits as Fweddy. There’s Michael  Myers, who for some unexplained reason is wearing a yarmulke. Jason is referred to in the credits as Mason, Leatherface as Pleatherface, etc. It’s embarrassingly cheap and painfully bad. I honestly threw up when this movie ended.
Then they smoke pot in the car while driving around for no reason and they get in a car accident or something and they stop at this weird town. They go to a restaurant in which they are served by Leslie Nielsen in drag. And yes, folks, this is the comedy legend’s FINAL FILM. His presence adds no laughs to the film, as he has no remotely funny lines to say.
Everybody thinks Stan Helsing is Van Helsing, who is of course the character from Dracula who killed Dracula, and who killed just about everyone else in the movie Van Helsing. By the way, he did not kill Dracula in the novel. That is often miss-cited. Apparently he’s a descendant of the legendary vampire-hunter/scientist/monster-killer. It’s not explained well at all.
The group of friends performs karaoke at the bar/restaurant thing and they sing Johnny Cash’s classic “Ring of Fire”. It’s the most tolerable part of the movie. However, when they’re done, the townspeople get pissed, saying their town was destroyed years ago by a fire. So apparently they like nothing to do with fire. Even candles. The fact that this is not only mentioned once but actually happens to be a recurring joke just screams the lack of creativity of these writers.
So the monsters come to town and the townspeople want Stan Helsing to defend them. But the monsters don’t really do anything. There is a karaoke competition between the monsters and the group of friends. The friends win and the monsters are voted out of town or whatever, leaving in shame after performing a no less than disturbing dance number. And that’s the climax, I shit you not.
So what’s wrong with this film? In short, everything. Not a single joke is funny. I spent the entire film not laughing. The jokes are not only not funny, but they’re quite disturbing at times. And I know this is just a spoof comedy, but come on, give me a fucking plot for Christ’s sake! What the hell was that?!

2. The Room (2003)
The Room is an impressive mess. Its story and dramatic elements could just about amount to an interesting tragedy—I could actually see this being a play—but the worst acting in any film ever made and some of the most abominable dialogue ever written make this a hilarious comedy.
It’s written, produced, directed by, and starring Tommy Wiseau who has become a cult icon for this film. The plot is that Johnny (Wiseau) is engaged to Lisa, who’s cheating on him with Mark, who happens to be his best friend. As one can imagine, everything falls apart, shit hits the fan, and Johnny kills himself. That’s basically it.
But to appreciate The Room one must look at all the details. Like how in every single scene centering on male bonding they play football…but they don’t really play football, they just awkwardly toss it around. And in one scene one of the guys is injured in the worst physical acting I’ve ever seen.
The Room is a film of awkward, disturbing dialogue. In one scene, Johnny starts a conversation with Mark by asking: “How’s your sex life?” In another scene, Denny makes it clear that he wants to watch Johnny and Lisa have sex. Talk about awkward. And Wiseau manages to literally write a scene backwards. When he goes into the flower shop, the order of the dialogue that ensues is basically the opposite of what would actually happen in real life. If you don’t believe me, check it out: http://www.youtube.com/watch?v=kOdjtiOMGbA
The Room is a film in which a bunch of random things are thrown at you that have ultimately nothing to do with the plot or outcome of the film. Perhaps most notorious, Lisa’s mother tells her she has cancer, though it goes on never to again be mentioned. And then there’s the scene in which Denny is in trouble with a drug dealer and Johnny fights away the dealer. The whole purpose of this scene is so that Johnny is supposed to look like a father figure to Johnny, but the scene is taken over by Lisa’s mother who does nothing but bitch at Denny for using drugs. She doesn’t even know him!
Let’s not forget Johnny’s friend who mysteriously disappears halfway through the film, only to be replaced by a different actor who plays basically the same character.
Oh and to top it off, let me describe to you Tommy Wiseau. He’s hideously ugly and somehow that adds to the appeal. Look up the poster, it’s like he has a lazy eye or something. And yes, we get to see his bare ass in a sex scene. His bare, disgusting ass. And his accent! I heard it was because he moved around to a number of European countries as a kid and was never able to pick up a normal accent, but I don’t know if it’s true. However, I can tell you that it’s German mixed with Italian mixed with Russian mixed with Swedish. It’s amazing just to listen to, and it makes every memorable line such as “I’m fed up with this world” and “you’re tearing me apart, Lisa” that much more funny.

1. Birdemic: Shock and Terror (2009 I think)
To any of you that are unfortunate enough to read this blog, you may be disappointed that I'm not writing anything new on the worst movie ever made. However, I ultimately believe that I can't add much to what I wrote a few months ago. On top of that, I do not want to re-live my viewing experience by writing another review. Deal with it.
http://www.patrickjmullen.blogspot.com/2011/10/birdemic-shock-and-terror-worst-movie.html